
 I wish you all a 
 
 I wish you all a 
 I'm sorry there is so few quilting pictures from me :-(, but I'm working on a large picture. All the pieces are in place now and tomorrow I will put both the piecture and my sewingmachine in the car. We will spend the next week at Gålå - up in the Norwegian mountains. Absolutely one of my favorite places. Since I'm thinking of try to get the piece acepted for the European Art Quilt Foundation's show next year, I will not be able to show it in my blog. They don't allow that. I hope to make some smaller pieces the next months along with finishing my project.


 These two are made with the software from Chaos Pro www.chaospro.de/
 This is not real Shibori, but a fun and easy technique. The fabric is just twisted in a coil and the dye is applied. This one is twisted straight, but you can very well start to twist in a corner. You get some lovely combinations too if you dye with one color, let it dry and rinse the fabric and then repeat the twisting in another direction and apply the same or another color.
 This is Yanagi Shibori. It is made the same way as the Tesuji Shibori except for one thing. Before you pleat the fabric, you put little dots - random or in a pattern - with a watersoluble pen on the fabric. This makes the top point of little cones. Take this cone between your fingers and wrap around the cone with a thread. Start at the bottom and start and end with a knot. Then you fold the fabric and wrap the fabric around a rope or pipe, binding as in the Tesjui. You can decide how much white you want in the fabric by controlling the amount of dye you apply. 1.jpg)
 The forth fabric in my Shibori series is a technique called Arashi. I have to admit that this is my #1 favorite. This is the technique I used for making my dress to my son's marrige. Only this time I have bound the Arashi. Det fjerde stoffet i min Shibori-serie er en teknikk som hete Arashi. Jeg må innrømme at dette er min absolutte favoritt. Jeg brukte denne teknikken når jeg laget stoffet til kjolen jeg brukte i bryllupet til sønnen vår. Men denne gangen har jeg bundet Aarashi'en.
Som du sikkert ser, så har jeg først brettet fra venstre mot høyre og så fra topp mot bunn. Så er stoffet lagt på et plastrør og bundet med tråd. Jeg begynte i et hjørne og surret med en avstand på ca 1 1/2 cm. For ca hver 15 cm setter jeg røret på bordet og trykker stoffet nedover mot bunnen av røret slik at stoffetblir presset tett sammen. Etter at alt stoffet var bundet og presset sammen, ble hele stoffet bløtlagt i vann. Deretter ruller jeg det i et håndkle for å få ut det overflødige vannet. Også denne gangen er fargen påført med en pensel. Så ble det satt bort i seks timer for at fargen skulle gjøre jobben sin før det ble bundet opp og skyllet.
Jeg liker dette stoffet kjempegodt og tror jeg vil bruke det som bakgrunn i en quilt.

Itajime shibori er brettet og spent fast. Den er enkel å lage og den kan varieres på en masse forskjellige måter. Den er flott å lage repeterte mønster med. Dette eksemplaret er veldig enkelt. Jeg har ganske enkelt brettet den fire ganger til en firkant. Du kan også brette den i trekanter, rektangler eller diagonalt. Du kan velge om du vil presse ned foldene eller ikke. Dersom du ønsker et klart mønster med skarpe linjer, så bør du nøye stryke ned hver enkelt brett. Denne er bare brettet.Her har jeg brukt fire plastikklokk som "sperre". Du kan bruke hvilken form du vil, bare den er tykk nok til å holde på fasongen. Plastikk, tre og plexiglass er helt flott å bruke. Jeg har lagt to lokk på hver side og hold dem parvis sammen med en kraftig klemme. Hele stykket dyppes i vann og så mye ekstra vann som mulig klemmes så ut. Jeg liker å legge det i et håndkle for å få ut mest mulig. Så dyppes en side av gangen i fargeblandingen. Du kan også dyppe hele i fargen dersom du har gode sperrer og sterke klemme som holder de sammen. Det legges så på et gammelt håndkle for å tørke fullstendig før du bretter det ut og skyller det. Denne lå faktisk en hel uke før den ble skyllet.
 Shibori is a very fun and easy way of creating you own patterned fabric. If you want to learn how to dye shiboti and other techniqus, I can recommend Marjorie McWilliam's classes at Quilt University. She is a very skilled and not at least a very fun teacher. There is a link to QU at the right side of the blog. The best class to start with is Cotton Dyeing Basic. The next class starts at August 14. I can also recommend you to take a look at Marjie's blog - http://marjiesdyestudio.blogspot.com/"Tesuji Shibori is folding the fabric in accordion and winding it around a thick rope. This is followed by tight winding to create vertical stripes." I press the folds down as I fold them to create more distinctive lines. I did not use a rope, but a pole to wind the fabric around. I did not wind hard enough to get vertical stripe through all the layers, so I 'll have to remeber that next time. I painted the dye on the fabric. You have to be careful not to saturate all the fabric with dye. Then you will get very little pattern. It's much easier to control the process with a brush instead of soaking the fabric in the dye.
" Tesuji Shibori er å folde stoffet som et trekkspill og surre det rundt et tykt tau. Dette blir etterfulgt av en tett surring med tråd for å skape vertikale striper." Jeg presser foldene ned etterhvert som jeg bretter for å få tydeligere linjer. Jeg brukte ikke et tau, men surret stoffet rundt et plastrør. Jeg surret ikke hardt nok med tråden denne gangen til å få gode striper gjennom alle lagene så jeg må huske det til neste gang. Jeg påfører fargen med en pensel. Du må være forsiktig så du ikke fukter hele stoffet med farge, for da blir det veldig lite mønster. Det er mye enklere å kontrollere denne prosessen med en pensel enn ved å dyppe hele stoffet ned i fargebadet.
 Here is a detail of the fabric. The vertical stripes are here horisontal. This is a part of the outside of the winding. There is almost no stripes at all in the inner parts.
 This is my latest Shibori dyeings. I have used several differen techniques here. Through the next weeks I will tell you a bit about the different techniques and how I have made the different fabrics. They are all dyed on Roc-Lon cotton which I buy at QuiltDesign.com here in Norway. It dyes very nice. I have also used Procion MX dyes as usual for my dyeing.
Endelig er Tango ferdig! Det har vært en lang reise fra det første bildet jeg hadde i hodet til den ferdige quilten. Først må jeg få takke fortografen Guido Gayk for at han lot meg få bruke bildet av Nicole Nau og Luis Pereyra som inspirasjon til denne quilten. Bakgrunnen og trekkspilleren er fra flere forskjellige fotografier som jeg har satt sammen og endret masse for å få det som jeg ønsket.
Jeg har ikke brukt så mange av mine egne håndfargede stoffer denne gangen, men hudtonene er mine egne. Jeg liker å bruke MANGE toner og nyanser når jeg lager ansikter. Jeg elsker mangefarget batikk. Huset i bakgrunnen er laget av det samme stykke stoff. Ganske fantastisk, ikke sant?
Tango vil først bli vist på The Festival of Quilts i Birmingham i England i august.

Here is a detail of the hands. It takes a lot of pieces to get the right impression. BUT - that's how I like to work. I have no idea how many small pieces this quilt contains of.
 Here is the back of the quilt with the basting. Not easy to see, but if you click on the picture you get a much larger one where you can see the basting on the back. 
 All the pieces are now in place on Tango and the next step is the threadpainting. It's time consuming and I'm also buzy with a new class at QU in screen printing. It's a lot of fun and I will post some pictures in a while. 
 Here is a little update on Tango. The background is slowly but steadily emerging. I am planning to put all the pieces up and the decide if I need to do any changes. Making the background actually takes a lot more time to do than I expected, but there is quite a few pieces that have to be put in place. The Machine Quilting class has been taking a lot of my time lately, too, but the wholecloth quilt is now half done. I don't feel comfortable sitting at the sewing machine all day, so I try to split my time even between quilting and the Tango.
 I made a little sidetrack today and made a couple of postcards for some good friends. At last I could use the Babylock embellisher I bought in December. This was my first attempt, so much can be improved. I found that silk velvet was very nice to felt, but regular silk did not look that good. Practice will be necessary here as with everything else :-)
This is my fist try on Trapunto. Not at all difficult to do. It gives a nice raised effect, especially on wholecloth quilts. I learned something similat way back in my dressmaking class, but we called it Matlasse.
 Here is a shadowed Trapunto. A colored fabric is cut out in the shape you want and put underneath the wholecloth before sewing.
 Next week we are starting on a wholecloth quilt. I want to make a baby quilt for our new granddaughter (will be born March/April). But I will wait till I get this book before I draw a pattern. I saw Philippa Naylor's quilt Flower Power at The Festival of Quilts in Birmingham, England last August. It was stunning. I have not found a detail picture of it, but you can see the quilt here http://twiddletails.blogspot.com/2008/11/houston-again.html
 The accordion-player is in place now. I have tried to keep him quite simple and I think I have succeeded with that. The accordion was worse. I have cut out some details, but not too many. I might have to use some Shiva sticks to put in some shadows when it is all fused down.